Snapshots of Mumbai’s various landmarks, operational mills, crammed roads teeming with double-deckers, towering skyline overlooking rickety slums captioned in a lingering visual of Bombay Central station frame the black and white opening credits of Dastak. A city of dreams and … Continue reading
Whether their romance is realised or not, there’s a surety in the manner most man-woman relationships emerge in films. But in Kidar Sharma’s Jogan, it’s the unlikelihood of alliance right from the onset that both defines and dignifies their connection. … Continue reading
The angst and frustration of Arjun Malvankar resonated with an entire generation of youngsters. Manish Rathore, a businessman in Lucknow and one of the greatest movie enthusiasts I know, holding a rich archive of magazine cuttings and yesteryear knowledge, calls … Continue reading
